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Our editorial practice resources boost your learning on how to edit and proofread and how to work as an editorial professional in publishing or communications. They also help you explore aspects of English language and grammar and why editors and proofreaders make or suggest changes.
Learn from leading writers and language professionals
Learning from others is at the heart of the CIEP community. Most of our practice notes are written by CIEP members, who have distilled their experience into short but jam-packed learning resources for you. Others are written by influential writers and language professionals who are leading the way in their field.
Select the thumbnail image to download the PDF. If you are an editor or proofreader you may find some of the free resources useful to pass to clients to explain what you do, especially our free quick guide to using editorial professionals.
Who can access CIEP practice resources?
Some of our practice resources are public. Anyone is welcome to read them. Others are for our members only – usually those that cover core learning about editorial practice.
That’s a good reason to join us if you’re working as a proofreader or editor.
- FREE BOOKLET: Proofreading or editing? A quick guide to using editorial professionals
- Focus paper: Imagine an editor
- Fact sheet: Proofreading or copyediting?
- Fact sheet: Training for proofreading or copyediting
- Fact sheet: Anatomy of a book
- Focus paper: Disability terminology for writers and editors
- Fact sheet: Easily confused words
- Fact sheet: Editing and proofreading numbers
- Focus paper: Global Englishes
- Fact sheet: Good editorial relationships
- Fact sheet: Good practice for author queries
- Focus paper: How to write irresistible copy for your website
- Focus paper: How well read should editors be?
- Fact sheet: Slaying zombie language 'rules'
- Focus paper: The linguistic sophistication of swearing
- Fact sheet: The publishing workflow
- Focus paper: The state of gendered language
- Focus paper: To whom it may concern
For CIEP members only
- Fact sheet: 12 ways to make your online communication more accessible
- Fact sheet: Academic editing
- Fact sheet: Being aware of gendered language
- Fact sheet: Building a business resilience plan
- Fact sheet: Common style differences between British and US English
- Fact sheet: Dealing with scope creep
- Fact sheet: Emotional wellbeing for editors
- Fact sheet: Getting started with macros
- Fact sheet: Getting your first clients
- Fact sheet: Increase your editing efficiency in Word
- Fact sheet: Negotiating business contracts
- Fact sheet: Reference books and resources for editors
- Fact sheet: Software for editing and proofreading
- Fact sheet: Sustaining your freelance editorial business
- Fact sheet: What will happen to my editorial business if I die
- Fact sheet: Working with packagers
- Tool: Editing jobs log
Proofreading or editing? A quick guide to using editorial professionals
Working with an experienced editorial professional makes sense if you are producing any sort of written text. This free booklet will show you why. Learn what editors and proofreaders do and how they can help you produce clear and consistent communications.
- Use our ‘who does what and when’ chart to find the right person to work with you.
- Apply the tips and proofreading checklist to help check your own writing.
PDF download, 24 pages
Proofreading or copyediting?
Do you need proofreading or copyediting? This fact sheet summarises some of the differences to help you find the right kind of editor to work on your text. Editors may find it a useful resource to pass onto clients.
What training do I need to become a proofreader or copyeditor?
Advice on how to get started as an editorial professional, why it's important to invest in training and how to choose a course. There’s more to it than being good at spotting typos.
How to write irresistible copy for your website
Bestselling author and copywriter Andy Maslen tells you how to make your web copy stand out in a crowded marketplace, how to keep readers on your webpage and how to communicate quality and justify your fees.
How well read should editors be?
Freelance copyeditor and writer Stan Carey explains the importance of reading to professional editors. Stan looks at the benefits of reading broadly, highlights the ‘must-reads’ for editors, and likens reading to a workout for editors.
Imagine an editor
The CIEP’s honorary president, David Crystal, puts the case for using the services of a professional editor. A good editor, as he makes clear, is not a pedant or a self-styled member of the grammar police, but someone who reads the author’s work carefully, objectively and sympathetically; points out ambiguity and lack of clarity, checks references and cross-references for accuracy and consistency, and ensures that the style follows the stylistic norms of the publisher. Someone, in other words, who can keep the author ‘linguistically and creatively safe’.
In a globalised world, should we retain different Englishes?
Professor Lynne Murphy questions whether a worldwide standard English would help us communicate, or whether there's value in retaining the distinct voices of the many different Englishes across the globe.
The linguistic sophistication of swearing
Rob Drummond, Reader in Sociolinguistics at Manchester Metropolitan University, looks at his research on language and identity, language diversity and the language of young people and asks what makes swearing so linguistically interesting in form and function.
The state of gendered language
In this discussion paper, Sarah Grey looks at recent changes around gender and language. She starts with a quick review of how language change works, looks at some specific examples of recent changes, and ends with tools you can put to work in your editing to make sure that you stay up to date with language usage.
To whom it may concern
In this entertaining and erudite focus paper, Jeremy Butterfield considers what editors should do about the whom vs who debate.
What's in a name? Disability terminology for writers and editors
Social scientist and bioethicist Tom Shakespeare looks at the changing terminology around disability. How do we know what's acceptable? Where's the line between sensitivity and political correctness? Can we use generalisations at all?
Anatomy of a book
Books usually adhere to a standard basic structure. This fact sheet looks at the terminology for some of the main features of books and the order in which they appear.
Easily confused words
A list of some easily confused words in British English, including some tips for remembering the differences and choosing which word to use. Plus keyboard slips: a paired list of words that look very similar but mean different things.
Editing and proofreading numbers
Numbers used in text are subject to style choices in the same way as words. When editing or proofreading, it’s important to make sure that consistent styles are used that are suited to the material you’re working on. This fact sheet will help you to decide the style treatment for all sorts of numbers, including dates and times, ages, percentages, cross-references and general numbers.
Good practice for author queries
This fact sheet summarises some good practice tips on writing queries to authors, gleaned from the CIEP's experienced trainers and mentors.
Slaying zombie language 'rules'
Zombie rules are ‘laws’ of language that are no longer, or never were, valid. Yet they refuse to die, and so continue to haunt people who work with words. We take a look at some common zombies and why they may be best laid to rest.
Good editorial relationships
This infographic has some top tips for building good working relationships between client and editor.
The publishing workflow
This infographic sets out the ideal stages in the publishing workflow, for all sorts of texts from documents to books, and highlights where editors and proofreaders can help.
For CIEP members only
Please first log into the members' area of our website to download these member-only resources.
12 ways to make your online communication more accessible
Good communication removes barriers and helps our audience access our messages. CIEP communications director Louise Harnby outlines 12 things every editor and proofreader can do to improve the accessibility of their online content.
Academic editing in the humanities and social sciences
Academic clients include academic publishers, packaging companies, academic institutions and independent authors. This fact sheet looks at the general considerations when working in this area, and how to get started.
Being aware of gendered language
Language can sometimes perpetuate unconscious biases, stereotypes and unfair assumptions. It’s our professional responsibility to advise the authors we work with if their use of gendered language is problematic and to help them to find inclusive alternatives. This fact sheet summarises some of the main points to look out for and how to sensitively raise issues with your author.
Building a business resilience and disaster plan
Unlike a business plan, which tends to focus on financial outcomes and growing a client base, a business resilience plan sets out the potential problems you and your business may face and how you will cope with them. It will help you to organise your daily working practices, but can also be given to a trusted colleague or family member who may need to cope in your absence. We should all have one!
Common style differences between British and US English
Changing a text from one version of English to another or checking that the desired style has been used isn't a straightforward task: there are often subtle differences in spelling, meaning and usage that distinguish the versions of English around the world. This fact sheet is a starter list for some common differences between British and US style.
Dealing with scope creep
Scope creep happens when a project’s workload expands beyond what was originally agreed between the client and the editor or proofreader. This fact sheet will help you learn strategies for identifying and dealing with scope creep to avoid negative consequences for you, your client or the project.
Emotional wellbeing for editors
This fact sheet is intended to help you think about how doing your job as an editor may impact your emotional wellbeing – and how to cope with that.
Getting started with macros
Efficient editors use macros in Word to speed up repetitive tasks or carry out several actions at once. This fact sheet will introduce you to macros, step you through creating and running a macro and get you thinking about how they can make your editorial practice more efficient.
Getting your first clients
This fact sheet gives some useful tips for getting those all-important first clients when you are starting an editorial business.
Increase your editing efficiency in Word
Experienced editors use a range of tools and techniques to achieve greater efficiency, making their work more financially viable. Here we look at some timesaving tools for working in Word, which is the program professional editors use most often to edit text.
Negotiating business contracts
If you are running a freelance editorial business, you need to understand what's in contracts you are asked to sign by clients and be able to draw up your own simple agreement where you are setting the terms. Epoq Legal, providers of the CIEP legal helpline, have written this fact sheet to help you understand the various contract provisions and ways to negotiate the best possible outcome.
Reference books and resources for editors
There are very many books and resources on the English language, but you can't (and shouldn't) buy them all when you're starting out. This sheet highlights some of the essentials and priorities for supporting your editorial practice.
Software for editing and proofreading
The majority of editing and proofreading is carried out on screen. This fact sheet looks at the most common software used by editors and proofreaders, and provides resources for those who want to extend their skills further.
Sustaining your freelance editorial business
There are as many different ways of building sustainability into an editorial business as there are editors, but here are some general tips to keep the momentum going through the first few years, and take your business to the next level.
What will happen to my editorial business if I die?
It is good professional practice to plan how your business matters will be dealt with after your death. This fact sheet looks at what to consider when drawing up a succession plan.
Working with packagers
In the context of book and journal publishing, a packager is an intermediary company that produces a finished document for the end publisher. They often work with freelance copyeditors and proofreaders, and it can be a way to gain steady work and experience. However, this way of working has its frustrations and issues too. In this fact sheet we look at the pros and cons.