Rosie Spencer

Professional Member
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Copyediting, proofreading, editing non-native English, rewriting, developmental/substantive editing, writing, plain/clear English, anglicizing, copywriting, project management, website editing, research.


Illustrated books, magazines, multi-author books, theses and dissertations, websites/blogs, books, journals, online materials, tenders/bids, company literature, government reports, grant proposals.


Freelance since 2009; Assistant Editor, The Art Newspaper, 2008-09; Production Editor, Icon magazine, 2006-08; Project Editor, Phaidon Press, 2005-06.


Books, exhibition catalogues, websites and other publications:

Andreas Martin-Löf Arkitekter – I copyedited and proofread the Swedish architect Andreas Martin-Löf's illustrated monograph One to One

My Residence – I copyedited and proofread five illustrated books on Scandivian architecture and interior design produced by Residence magazine in Stockholm

Hollybush Gardens/Koenig Books – I copyedited and proofread an illustrated monograph on Turner Prize-winning artist Lubaina Himid, titled Workshop Manual

Eline McGeorge – I copyedited and proofread the Norwegian artist Eline McGeorge's illustrated exhibition catalogue As Spaces Fold, Companions Meet

Alexander Lervik – I copyedited and proofread the Swedish designer Alexander Lervik's illustrated book Fifteen

The British Council – I copyedited the British Council publication on the Maker Library Network

The Crafts Council ­– I copyedited the exhibition materials for the Crafts Council exhibition States of Play

Swedese – I copyedited and proofread promotional exhibition materials for the Swedish design brand

The National Trust – I copyedited a National Trust publication for Apollo magazine

David Chipperfield – I copyedited architect David Chipperfield's catalogue, Common Ground, for the 13th Venice Architecture Biennale

Ryan Gander – I proofread the British artist Ryan Gander's illustrated book Culturefield

Richard Nagy Gallery – I copyedited and proofread illustrated exhibition catalogues on The Silverman Collection, George Grosz and Alfred Kubin. I also proofread the gallery's full website

Firstsite gallery – I proofread the illustrated exhibition catalogue Steven Claydon: Culpable Earth

Jane Withers Studio – I copyedited the publication Really and exhibition text for the Milan Furniture Fair

John Morgan studio – I proofread the website of design practice John Morgan studio

Kellenberger-White – I proofread course materials for the Design Interactions MA at the Royal College of Art

Åbäke – I proofread a series of postcards published by the design collective Åbäke


Magazine subediting:

The New Era

The Art Newspaper

Jocks & Nerds



Dirty Furniture




A-L Journal



Academic dissertations:

Royal College of Art student PhD thesis

Oslo National Academy of the Arts reflection text for the Norwegian Artistic Research Programme

Newcastle University student PhD thesis


Research reports:

City to Sea's Food-to-go report



Jump! by David Hillier

The Goat Who Sailed the Seas on a Boat by Zach Breedon


Contemporary art




History of Art (19th century, 20th century)

Fiction (literary fiction, children's fiction)

Academic dissertations/theses (PhD, Masters and BA levels)








BA English Literature and History of Art, MA Contemporary Art Theory, Postgraduate Diploma in Arts Management.

Specialised software

Adobe InDesign, Adobe Acrobat.


Rosie was a joy to work with, and was extremely professional and knowledgeable in the English language. She was extremely dedicated, determined, and willing to making my book standout. I appreciate her professionalism and awesome work!

Zach Breeden, fiction author, USA

As a writer it is always hard to find an editor who really gets your tone of voice – I’ve worked with Rosie on several projects now and she is a true genius. She will make any copy come to life and make it flow whilst still keeping its original outline. She is effective and very meticulous.

Jonna Dagliden Hunt, design journalist, Stockholm, Sweden

Writing about visual art is problematic enough and “International Art English” is routinely criticised as being difficult and alienating. As a visual artist, when it comes to making my sometimes oblique ideas and ricocheting bulletpoints readable, working with Rosie has been a revelation. She makes the words flow. They become a pleasure to read. She also has the ability to alter the level of technical details for different audiences, meaning that each edited text is handled in an efficient and decisive way.

Jaykoe, artist, London

I contacted Rosie through recommendation – and I’m so glad I did! I needed a quick turn around, it was very last minute. Rosie did a brilliant job at editing a chapter for my book. I struggle with words and grammar and felt a little anxious about sending Rosie my work in case she didn’t understand it. Rosie reassured me that it would be fine, she turned around the project quickly and before my deadline and she did a fantastic job at turning my piece into a superb, easy-reading article.

Emma Fullwood, fitness instructor, Brighton, UK

In the process of writing the entire manuscript for my book One to One I realized I could only do it well if I wrote in Swedish, which is my mother tongue language. After the translation to English I felt a bit unsure if the tonality in the texts was correct and also if the translator really had understood what I meant when I first wrote the text in Swedish. Rosie Spencer was a perfect match for me working on copyediting and proofreading and helping me to find that tone that I think is so important. I can warmly recommend Rosie for texts of any size or full book projects.

Andreas Martin-Löf, architect, Stockholm, Sweden

Rosie Spencer edited and proofread my large exhibition catalogue, which included a number of texts written by authors with English as a second language, references to more than 100 images of artworks and captions all set within a quite unusual book design. It was truly impressive how Rosie managed to keep a track of all the materials and every little detail of the content in this book, as well as doing an amazing job editing the language and structure of the catalogue texts.

Eline McGeorge, artist, Oslo, Norway